Fly!
Fly! or off the amazing trio of Laurent De Wilde.
Laurent Dewilde / Otisto23 / Nico Tico.
Meet struck and harmonized men and machines.
Information about installation locations: the two men sound which face each other, are be packaged in a cylinder of gauze cut into strips hung on hangers from the scene.
It is on this awning lights and videos that are planned as well as on a screen in the background.
Show and call themselves hard Fly!, And word for the flight and fly.
Which is projected as images representing a former research laboratory.
Images and sepia field microscope, say, serve as an introduction to the subject,time that plunges and that adapts to the new dialectic between representational forms outlined and shapeless abandoned the game on the computer, its rainy pixels and stars. Hallucinating.
Extract from the article citizenjazz.com / by Gerard Ponthieu.
WOO
TOUS LES CHRISTS ICI RESSEMBLENT À BJORN BÖRG
Dance solo choreography and digital art.
Multimedia light fiction, representations qu'entretient body with itself.
This is a duet between man modulator image and man image generator.
A digital mirror principle, the body in action is revealed by his own projected image.
It comes with its light becoming the screen of his double.
Then it will generate a series of prints, such fractions of time recorded and fixed.
Isolated in series, handled and accumulated, these images are integrated by the lexicon fictional dance.
Jean Emmanuel Belot
Gael Horellou
A week's residence near Caen Horellou Gael and his accomplice Nico Tico accompanied by Axel Burdy to create, test, and refine an audiovisual performance sharp!
We start by following the evolution of the project, Gael Horellou quartet, sax, pc, bass, drums and xilophone.
The scenery provided @ 180 °.
Man of Aran
Ciné-Concert new generation around the Robert Flaherty movie "Man of Aran", accompanied by a live soundtrack of Lionel Marchetti, mailing visual, light and smell, as well as virtual presence and sound of the actor Philippe Vincenot .
Intention
After 10 years of experience and practical multimedia art opening has become our trademark.
Moyen terme#1
You think water moves fast?
You should see ice. It moves like it has a mind. Like it knows it killed the world once and got a taste for murder. After the avalanche, it took us a week to climb out. Now, I don't know exactly when we turned on each other, but I know that seven of us survived the slide...
and only five made it out. Now we took an oath, that I'm breaking now. We said we'd say it was the snow that killed the other two, but it wasn't. Nature is lethal but it doesn't hold a candle to man.
Moyen terme#2
Well, the way they make shows is, they make one show.
That show's called a pilot. Then they show that show to the people who make shows, and on the strength of that one show they decide if they're going to make more shows. Some pilots get picked and become television programs. Some don't, become nothing. She starred in one of the ones that became nothing.
Moyen terme#3
That show's called a pilot.
Well, the way they make shows is, they make one show. That show's called a pilot. Then they show that show to the people who make shows, and on the strength of that one show they decide if they're going to make more shows. Some pilots get picked and become television programs. Some don't, become nothing. She starred in one of the ones that became nothing.
Well, the way they make shows is, they make one show. That show's called a pilot.
Long terme#1
They called me Mr Glass.
Now that we know who you are, I know who I am. I'm not a mistake! It all makes sense! In a comic, you know how you can tell who the arch-villain's going to be? He's the exact opposite of the hero. And most times they're friends, like you and me! I should've known way back when... You know why, David? Because of the kids. They called me Mr Glass.
Long terme#2
Because of the kids.
Now that we know who you are, I know who I am. I'm not a mistake! It all makes sense! In a comic, you know how you can tell who the arch-villain's going to be? He's the exact opposite of the hero. And most times they're friends, like you and me! I should've known way back when... You know why, David? Because of the kids. They called me Mr Glass.
Long terme#3
My money's in that office, right?
If she start giving me some bullshit about it ain't there, and we got to go someplace else and get it, I'm gonna shoot you in the head then and there. Then I'm gonna shoot that bitch in the kneecaps, find out where my goddamn money is. She gonna tell me too. Hey, look at me when I'm talking to you, motherfucker. You listen: we go in there, and that nigga Winston or anybody else is in there, you the first motherfucker to get shot. You understand?
visible? oui
WOOvisible? oui
Gael Horellouvisible? oui
Man of Aranvisible? oui
Intentionvisible? oui
Moyen terme#1visible? non
Moyen terme#2visible? non
Moyen terme#3visible? non
Long terme#1visible? non
Long terme#2visible? non
Long terme#3visible? non
Statement
Historical
Know-How
Ice Painting Dreams
Generative Art ...

Ice Painting Dreams
An audiovisual installation where the audience generates its own artistic atmosphere...
“We create a peaceful atmosphere guided by Nippon cultural influences seized during Yokohama’s first edition. Ice skaters become the main characters of generative images in order to create a numeric and evolving painting. The luminous atmosphere, the spatialized sound and the projections create an attractive and friendly living space. The interactive ice rink is a technological innovation which would make its partners beaming”.
The idea of this installation is to create links between the urban space, the public and the numeric arts. Ice skaters actively participate to our installation by the mere freedom of slipping and are recorded in our IT capturing tool. The latest processes the sound, lights and images depending on the moving volume. Mediums are piloted via the internet from our office thanks to an IT interface conceived by and for XLR Project.
Go to the website

New forms can be conceived for each artistic show in function of the architecture and the context in which we are called for. The light effect is warm and creates beams reflecting on the ice. Colour modulations are in harmony with the whole installation. This luminous atmosphere makes the link between the ice, the sound and the visual projections.
Color Voice
Interactive Microphone ...

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Color Voice
Interactive microphone for changeable subjects…
COLOR VOICE is an incentive to give speeches using the interactions with the installation (sound, mapping or video projections, light and a microphone). This requires a preparation work on the spot, with regards to a place, a kind of architecture, a story or related to a chosen subject. In any case, a speech giving opportunity is offered to the audience. The objective is to create a link on a territory or between territories, between many cultures or inside the same population.
The spectator has an effect on the installation, he/she becomes one of its creator, he/she makes it his/hers, he/she is brought to question him/herself. Instead of consuming the performance, the individual produces it; he/she is then connected with his/her environment. COLOR VOICE offers a fertile ground to the communication, to the senses awakening and invites the audience to extract from the daily life to discover or rediscover his/her living place and history. This speech, by interacting with the installation, provokes a realization.
The themes are free to be chosen by our partners depending on the political, historical and geographical contexts. For instance: energy, architecture, evolution, urbanisation, war, gastronomy, language, international cooperation,… Through COLOR VOICE, the organisation calling us decides to give speech to its public, its inhabitants or to create links between territories or cultures.
X_Forme
Installation multimédia interactive...

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X_Forme
X-Form is the name for a set of researches, experimentations and creations around audiovisual sculptures or multimedia architectures in which are locked an artistic creation system, machines, softwares, artists. X-Form is a tentative to give voice to an object in the public space. During daylight, it’s creation time. Multimedia artists are locked within X-Form and are connected to the outside world through the internet. They can also hear noises from outside. X-Form appears lifeless. The artists are invisible. X-Form, strange object, has pride of place and questions the bystanders. The artists capture, select and record the data flow. They compile with them. The information used for the performance is collected along the day. X-Form becomes a container in which information accumulates. On the nightfall, X-Form starts living and becomes meaningful. It animates and shows an audiovisual performance. Sound, video and light emanate from this form. The video is retro-projected using the mapping technique on the X-Form different faces. There comes a theatrical drama, music, poems, depending on what would have been swallowed and digested during the day. The scenario and performance in the night is each time renewed, always in movement, in a perpetual questioning regarding information flows. X-Form is a poetic commitment. The voluntary imprisonment in the virtual-reality is a political act and denounces what many already live, and what others will live even more intensively tomorrow. What are the boundaries? What are the information limits? How to select, cross check and verify it? How to dissociate reality from fiction… and disinformation? What is the difference between knowledge and the news?
X_Cube
An atypical audiovisual installation… an autonomous 4 meters side cube. It lives by itself, broadcasts images and sounds, calling the bystander to question on this living form X. Are you observing it, or is it the other way around ?
Doki Doki
Interaction between 3 kinds of arts ...

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Doki Doki
Interaction between 3 kinds of arts
Yoko Higashi prepares a Buto which evolves and transforms as closely as possible from Nippon reality. Provided with movements sensors, she creates her own sonorous atmosphere. “We would like to introduce the audience with a culture, full of paradox, using multimedia to position the body into a given space. This is a research on mankind sensitivity using dance, in the current world, in its traditions, its codes, its noises and its urbanism.”
TOUS LES CHRISTS ICI RESSEMBLENT À BJORN BÖRG
Solo de danse chorégraphique & vidéo

Le multimédia éclaire les fictions, les représentations qu’entretient le corps avec lui-même. C’est un duo entre l’homme modulateur d’images et l’homme générateur d’images. Par un principe de miroir numérique, le corps en action est révélé par sa propre image projetée. II naît de sa lumière en devenant l’écran de son double. Puis, il va générer une série d’empreintes, telle des fractions de temps enregistrées et fixées. Isolées, mises en série, manipulées et accumulées, ces images constituent le lexique fictionnel intégré par la danse.
Ufo77
AV Performance

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UFO77
UFO77 is an AV performance. With Yoko HIGASHI & Lionel MARCHETTI, they play with sound and visual material. The symbiosis between the 3 artists around this floating video object gives birth to an artistic performance mixing numeric arts, electric voices and analogical music instruments. All of these in full interaction.

State Laboratory
Research of new multimedia writing

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State Laboratory
Research of new multimedia writing

Since its creation, XLR Project questions the empirical forms of performances: dance, theatre, visual arts, literature, and sound through multimedia. To answer these questions, we experiment technologies and propose artistic shapes called “LABORATORY STATES”. The acting spectator witnesses many stories and actions simultaneously displayed in front of him (actors, dancers, texts, videos, interactive system and sound). Everything is live and each member of the group can improvise in his/her personal space. A staging based on a spatial protocol, a performance prepared in spaces where the artistic behaviour of the performers evolves. The autonomy of each member creates the coherence of the performance. During 3 years, we have created a research group at Lyon 2 university, together with history of arts and musicology teachers and students.




